City Awakenings - Mull Historical Society Album Review
Its little more than a few notes into the chiming percussion and trotting guitar led instrumental to opener, Must You Make Eyes At Me Now. That you realise how much this band, once voted twelfth greatest Scottish band of all time, have been missed during their lengthy hiatus. When the strained and genuine vocals of Colin Macintyre kick in, then a pondering stirring, blues layered intro, makes you just want to yell welcome back guys! at your IPod or choice of music playing medium. It blends neatly into the churning, more vocal grizzle inclusive attack on false lovers, Can You Let Her Know.
Must You Get Low, shows that the old school indie bands are still the best at the pace chilling, slow-burning and stirring ballad, as this concept album that explores the importance of cities takes a bracing nostalgic pit-stop. A lively, digitally toed edge ups the tempo for Honey Pie, as Macintyres vocals take on a more dramatic, strained edge and increase in profile to match that of the instrumentals. It shows that eclectic adventure is still within them.
Of course, the lyrics still hold meaning, heart, reflection and food for thought. With the slow, stirring and nearly wooing backing spiced, This Is Not My Heart being a prime example of this:
Love letters of stone wont set alight: I am alone in your lie.
I was awake just thinking of you.
Usually when an evergreen, what some people would call veteran band reunites six plus years after their last album, it makes you question their motives and even desire. Are they doing it because all other avenues have led to a dead end? No, not in this case; Mull Historical Society still has something to say and some cities to explore.
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