The Deep Dark Woods (solo)

Scarborough debut for the leader of the award winning band, The Deep Dark Woods.

Boldt is the lead singer and songwriter in The Deep Dark Woods, crafting beautiful, intimate songs that are steeped in traditions found in places like English folk music, country blues, and 60s R&B. He was born on the vast prairie, in Saskatoon, Saskatchewan, but moved to Chemainus, BC when he was 19, where he started writing songs. While people often equate the music of The Deep Dark Woods with a prairie sound, it was in Chemainus that Boldt truly cracked open his chest to bleed out his first songs. Then, in the summer of 2005, Boldt moved back to Saskatoon to form The Deep Dark Woods.

It’s been over ten years since the band formed, and it wouldn’t be hyperbole to say that The Deep Dark Woods are one of the most successful bands to have risen from the dust of the middle of nowhere on the prairie. After five albums and extensive tours across Canada, The US, and Europe, accolades for the band have piled up. They’ve been nominated for a Juno as well for songwriter of the year at The Western Canadian Music Awards [WCMA]. They won two Canadian Folk Music Awards and two WCMAs for Group of the Year. They were nominated for Best New Group alongside Alabama Shakes and Dawes at the 2012 Americana Music Awards, and played the award show at the Ryman Auditorium (formerly The Grand Ole Opry House). 

Speaking of playing live, aside from travelling around the world, they’ve played most of the major Canadian Folk Festivals, as well as Bonnaroo, The Newport Folk Festival, and Austin City Limits Fest. The Deep Dark Woods have opened for Merle Haggard, Blue Rodeo, Robert Earl Keen, and Further, which features members of The Grateful Dead. Boldt himself played a show with Phil Lesh from The Grateful Dead in Lesh’s Terrapin Family Band last May.

Boldt’s living in Nova Scotia these days, having just released a new album, Changing Faces, which finds him continuing to dig through the past to create spellbinding music for the present. He’s driven by influences like Shirley Collins, Ian and Sylvia Tyson, Bob Dylan, and The Stanley Brothers, but even as he mines the past, he’s not trying to contemporize these sounds.  He just happens to be making newly recorded music in the same vein, the way they used to make it, before the world got so fast and cluttered. Warm.  Intimate. Haunting. Like a punch to the gut. With a stunning, heart-stopping simplicity that cuts to the core of a person.