
Man Like I - Natty Album Review

Album Review
Male version of buddies Adele, and Lilly Allen.
Below all the shiny production, the 24 year old north Londoner's debut lacks any major invention of the genre, reggae.
By day, Natty was a studio engineer at Sphere Studios in Battersea who had dreams of making it big.
The debut single, July has proved popular with significant airtime on BBC Radio 2 - nothing else matches it. Natty's influences are wide ranging from Bob Marley to Marvin Gaye to Neil Young, not that you'd know it from this collection.
Combining key elements of reggae - Adele / Lilly Allen style, he throws in subtle components of hip hop too. Much of Man Like I is geared towards radio friendliness, but ultimately unchallenging.
It is however an easy listening album, though most of it is quite forgettable. It major problem is, there aren't enough good quality songs. Its best bits are the jaunty and simple Hey Man, and should he edit a swear word, would make an excellent next single. The Ska-styled She Loves Me sees him really hitting his stride, whereas the stripped-back ballad Revolution works beautifully because of its simplicity.
Bedroom Eyes takes some time to get going but it's a pretty cool track with some neat direction changes.
Then there's the middling songs such a beat heavy Cold Town and stuttering and limpless Stoned On You.
Natty's default button is getting bogged down in dire songs such a wandering Burn This Place Down which is self indulgent in the extreme. There's a knack of making this kind of track work, which a fledgling Natty hasn't cracked yet. On Last Night he's trying too hard to do a Lilly Allen, his chum, and dull closer Say Bye Bye could have been left on the cutting room floor.
File under: Needs to do better.
Gigs
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